New York
| The Shapes We Make With Our Bodies | Maenad 2 | The Hive |
| throughoutiveness (staged reading) | Hazel | CloseUp NYC |
| Let Them Eat Cake | Marie Antoinette | UglyRhino Productions: TinyRhino |
| A Dream Play (staged reading) | Victoria, She, Wife, Alice, Lady, etc.. | Zeitgeist Productions |
Devised / Ensemble Theater
| West of Elsewhere | Co-writer/performer | the leastaways |
| Origins | Co-writer/performer | Jersey City Theater Center ArtLab |
| Platea Theater Project | Artistic director/performer | BedStuy STooPS Festival |
| "At Least a Dozen Women Dead..." | Core Ensemble | Fresh Ground Pepper |
| (If You Knew Him) | Co-writer/performer | Eugene O'Neill Theater Center |
| Traveling street theater troupe | Pantalone, Zanni, etc. | The Vagari Project |
Regional Theater
| Elektra | Elektra | Penny Seats Theatre; dir. Russ Schwartz |
| The Glass Menagerie | Laura | Performance Network Theatre; dir. Tim Rhoze |
| Steel Magnolias | Annelle | Two Muses Theatre; dir. Nancy Kammer |
| Romeo and Juliet | Juliet (u/s, performed) | Michigan Shakespeare Festival Tour; dir. Janice Blixt |
| Macbeth | Lady Macbeth (u/s) | Michigan Shakespeare Festival Tour; dir. Janice Blixt |
| 1300 Lafayette East (staged reading) | Elly | Performance Network Theatre; dir. Carla Milarch |
| Second Hand Books (staged reading) | Emily | Jewish Ensemble Theatre; dir. Anna Simmons |
Community / Educational Theater (representative)
| Translations | Maire | Carriage House Theatre |
| Bedroom Farce | Kate | Ann Arbor Civic Theatre |
| Mary Rose | Mary Rose | Carriage House Theatre |
| The Odd Couple | Gwendolyn | Emergent Arts Productions |
| Catholic School Girls | Elizabeth | Lost Boys Productions |
| The Skriker | Lily | Wesleyan University Theater Department |
| Fefu and Her Friends | Christina | Wesleyan University Theater Department |
| Home Free! | Joanna | Wesleyan University Second Stage |
Film
| Stuffed | Supporting | 48 Hour Films Detroit |
(Winner: Best Acting, The Detroit 48 Hour Film Project)
| Step | Director | BoxFest Detroit |
| Landlocked | Director | Carriage House Theatre |
| A Streetcar Named Desire | Assistant Director | PTD Productions |
The Assembly, 2014-present, Associate Producer
Under the Radar Festival/Devised Theater Initiative, 2015-7, Assistant Line Producer
The Public Theater, 2016, Rehearsal Assistant for Dave Malloy's Moby Dick (BAC Artist Residency)
The TEAM, 2015, Rehearsal Assistant for Primer for a Failed Superpower
The New Group, 2014, Production Assistant for Sticks and Bones
Carriage House Theatre, 2013-4, Publicist/Core Company
Wesleyan University Second Stage, 2009-10, Managing Liaison
Under the Radar Festival/Devised Theater Initiative, 2015-7, Assistant Line Producer
The Public Theater, 2016, Rehearsal Assistant for Dave Malloy's Moby Dick (BAC Artist Residency)
The TEAM, 2015, Rehearsal Assistant for Primer for a Failed Superpower
The New Group, 2014, Production Assistant for Sticks and Bones
Carriage House Theatre, 2013-4, Publicist/Core Company
Wesleyan University Second Stage, 2009-10, Managing Liaison
Wesleyan University, BA in Social Justice: Acting I (David Jaffe), Acting II (David Jaffe), Performing Heightened Text (David Jaffe), Improvisation (David Jaffe), Prison Outreach through Theater (Ronald Jenkins), Direcing I (Yuriy Kordonskiy), Stage Management ( Annie Paladino)
National Theater Institute: Shakespeare (Michael Cadman), Stage Combat (David Chandler), Russian Movement (Rachel Jett), Voice (Julie Foh), Contemporary Acting (Francesca Carlin), Chekhov (David Jaffe), Heightened Realism (Elizabeth Hess), Directing (Gisela Cardenas), Workshops with Kim Weild, Wendy Goldberg, Josh Hecht, Gregg Wiggans, Brian McManamon, The Debate Society, Complicité, etc.
Additional training at the Purple Rose Theatre Company in Chelsea, MI (Guy Sanville, Michelle Mountain & Stacie Hadgikosti); Performance Network Theatre in Ann Arbor, MI (Carla Milarch); The Hinterlands in Detroit, MI (Richard Newman & Liza Bielby); and the Marsha Mason Flying Swan Acting Program in Middletown, CT (Marsha Mason; Omar Sangare, Williams College; Joe Olivieri, UCLA & Claire Davidson)
National Theater Institute: Shakespeare (Michael Cadman), Stage Combat (David Chandler), Russian Movement (Rachel Jett), Voice (Julie Foh), Contemporary Acting (Francesca Carlin), Chekhov (David Jaffe), Heightened Realism (Elizabeth Hess), Directing (Gisela Cardenas), Workshops with Kim Weild, Wendy Goldberg, Josh Hecht, Gregg Wiggans, Brian McManamon, The Debate Society, Complicité, etc.
Additional training at the Purple Rose Theatre Company in Chelsea, MI (Guy Sanville, Michelle Mountain & Stacie Hadgikosti); Performance Network Theatre in Ann Arbor, MI (Carla Milarch); The Hinterlands in Detroit, MI (Richard Newman & Liza Bielby); and the Marsha Mason Flying Swan Acting Program in Middletown, CT (Marsha Mason; Omar Sangare, Williams College; Joe Olivieri, UCLA & Claire Davidson)
Commedia dell'arte, masks, juggling, stage combat, children's theater, dialects (Standard British, Irish, American Southern), dance (ballroom, swing, Latin), music (piano, basic guitar, basic mandolin, basic ukulele, kazoo)
I also have a background in the social sciences and quantitative analysis. At Wesleyan, I completed a self-designed major in Social Justice, which spanned the disciplines of economics, political science, and sociology. After graduating, I spent three years working as a research assistant and statistical programmer for Mathematica Policy Research, doing quantitative and qualitative analysis on health and education policy research projects. I have also worked for professors in the Department of Resources Economics at the University of Massachusetts, working with a database of hospital records and designing software for economics experiments. More information about my non-theater work is available on LinkedIn.
